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O mercado de arte e os curadores

I am thinking of course of that awful art world species: the curator. When I started writing about art, there were no curators. Now they are everywhere. They go to the same biennales; speak the same meaningless art language; and control the art world from within by privileging their creativity ahead of the artist’s. For 5,000 years art survived perfectly well without curators. Now they are its gate keepers. What we need is a revolution, akin to the impressionist revolution in 19th-century France. Just as the impressionists overthrew the salon and put artists back at the centre of the art world, so someone out there needs to overthrow the Tate empire. Come on Hackney. Rise up.Waldemar Januszczak, em uma carta para o jornal britânico The Guardian.

Shoichi Iwashita

Compulsivo por informação e colecionador de moleskines com anotações de viagens e restaurantes, Shoichi Iwashita se dedica a compartilhar seu repertório através das matérias que escreve para a Simonde e revistas como Robb Report Brasil, TOP Destinos, The Traveller, Luxury Travel e Unquiet.

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